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New Directions in Research on Men and Masculinity. American Science Fiction of the Nineteenth Century.
Summer Issue: Rachael first behaves like a strong femme fatale, boldly facing and challenging Deckard, but later submits to him and accepts her place as his passive lover. Valerie Su-Lin Lee concludes quite insightfully: Her survival is her reward:
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Film Noir and Science Fiction. With that said, technology permits the cyborgs to reject the notion of a constructed state of femininity and to turn away from this repressive approach to furthermore reject an idealized outward appearance Stevenson
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- The Four Fundamental Concepts of Psychoanalysis.
- Sage Publications,
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- However, as Jermyn notes, Rachael carries all the superficial erotic trappings of the femme fatale and, at least initially, the same spirit of confidence, an ice-maiden-black-widow who first encounters Deckard with admirable poise, meeting and returning his gaze even while object of the gaze herself f.